A quick perusal of any of LAKEVIEW TERRACE's promotional materials--its nervy trailer, its foreboding (and painterly) dawn-hued poster featuring Samuel L. Jackson looking less-than-neighborly in his squad car--not only reveals it as a thriller, but offers up aesthetic evocations of several popular home-invasion suspensers made in the early 1990s. Like UNLAWFUL ENTRY and PACIFIC HEIGHTS, LAKEVIEW TERRACE takes place in upper-middle-class Californian suburbia. The film's ubiquitous purple sky and poolside lighting create an air of domestic bourgeois comfort just waiting to be upended by deadly social unease. In this mode, the surprises start when the film opens with intimate household scenes not of the film's purported heroes, an interracial couple who's about to move next-door, but of its not-entirely-apparent villain--a curiously middle-aged beat cop (Jackson) who raises a few eyebrows when he close-mindedly bullies his children, but seems sad and sympathetic. The cop, a black man named Abel Turner, watches blankly from his home when the first new neighbor he sees is an African-American wife (Kerry Washington)--and then reacts with quiet shock and disgust when he realizes that the white mover is actually her husband, Chris (Patrick Wilson). The invasion in this home-invasion thriller is, ironically, the one perceived by ...

In this comedy, Eric Christian Olsen (NOT ANOTHER TEEN MOVIE) and Nicholas D'Agosto (HEROES) star as unmotivated football stars who switch to cheerleading when they realize they can go to camp with 300 girls. FIRED UP also stars Sarah Roemer (DISTRUBIA), Annalynne McCord (90210), and the always hilarious John Michael Higgins (FRED CLAUS). (1 hr. 34 min.)

E.T. THE EXTRA-TERRESTRIAL is Steven Spielberg's warmhearted classic for both children and adults. It tells the story of an alien creature, E.T., mistakenly left behind on Earth. When a young boy, Elliott (Henry Thomas), finds E.T. and hides him in his home, both their worlds are changed forever. E.T. teaches Elliott and his two siblings (Drew Barrymore and Robert MacNaughton), whose parents have recently separated, about caring and love while the children protect E.T. from the malevolent world of grown-ups. Elliott and E.T. become so close that they share emotions; as E.T. becomes ill, so does Elliott. The children end up going on a fabulous adventure trying to help E.T. find a way back to his home planet. The movie was originally going to be based on a story idea by director John Sayles, but after he removed himself from the project, screenwriter Melissa Mathison (Harrison FordÂ’s wife) took over the script and made it her own. John WilliamsÂ’s soundtrack became forever linked to E.T. THE EXTRA-TERRESTRIAL. (1 hr. 55 min.)

CADILLAC RECORDS is a writer/director Darnell Martin's riveting ensemble film depicting the rise, in the early-‘50s to late-‘60s, of key musical figures at the crossroads between blues, rhythm & blues, and rock & roll. Based on the true story of the original Chicago-based purveyors of electric blues, Chess Records, it centers on two men: Leonard Chess (Adrien Brody), a Polish-Jewish nightclub owner; and Muddy Waters (Jeffrey Wright), a transplanted Mississippi sharecropper with sights set on musical stardom. After hearing Waters's electrified Delta blues during a tussle at his nightclub, Chess decides to pool his resources into releasing what were then called "race records." Soon a coterie of label talent, from Little Walter and Howlin' Wolf, to Chuck Berry and Etta James, help to propel the fledgling label to the top of the charts--with each hit-maker rewarded by Chess with a shiny new Cadillac automobile. While sometimes playing loose with some minor historical points, the film truly hits the mark with its attention to visual detail, from costumes and cars, down to vintage recording equipment, all of it is a feast for period buffs. But what truly makes CADILLAC RECORDS captivating are the exceptional musical performances of Beyonce Knowles (Etta James) ...

Narcotics detectives Mike Lowrey (Smith) and Marcus Burnett (Lawrence) have been assigned to a high-tech task force investigating the flow of designer ecstasy into Miami. This leads them to a conspiracy involving a vicious Kingpin (Molla), whose ambitions have ignited a bloody turf war. Mike and Marcus' working relationship is threatened when Mike develops feelings for Marcus' sister Syd (Union), and unless they can separate the personal from the professional, the case and Syd's life are in danger. (2 hrs. 26 min.)

Comic actress Anna Faris (LOST IN TRANSLATION, SCARY MOVIE) shines in her starring turn in THE HOUSE BUNNY, a hilarious and heartfelt tale of female empowerment. As the film opens, Shelly Darlingson (Farris) is Big Bunny on Campus at Hugh Hefner's Playboy Mansion. With her 27th birthday approaching, Shelly eagerly anticipates fulfilling her dream: to be centerfold of the month. But when she learns that she's being booted from Bunnyland, Shelly finds herself with no family or place to call home. Desperate for both, she lucks across the socially inept sisters of the Zeta Alpha Zeta sorority. With no hope of attracting new pledges and the consequent threat of losing their sorority, the girls of Zeta take in the bubbly Shelly as their new "house mother." Shelly immediately sets to work helping the Zetas bring out their inner glamazons, luring in boys while drawing the ire of rival sorority Phi Iota Mu. Shelly also catches the eye of Oliver (Colin Hanks), who forces her to realize that it will take more her Playboy Mansion ways to win over a good man. Plus, Shelly discovers that her social insights have transformed the Zetas into the very superficial types they once railed ...

Patrick "McDreamy" Dempsey leads this big-budget romantic comedy, making optimal use of his many swoon-inducing charms. Dempsey is Tom, a wealthy womanizer living the high life in New York City. He happily hops from bed to bed, living by a firm set of rules that keeps him from becoming romantically entangled with anyone. The only woman he makes time for is his dear college friend, Hannah (Michelle Monaghan), whom he sees weekly, and whom he adores. When Hannah suddenly takes off for Scotland on a job assignment, Tom misses her terribly, and has a dramatic realization about their relationship. He makes a plan to tell her about it as soon as she gets back, but of course she returns with a handsome Scottish fiancé (Kevin McKidd) in tow. To make matters worse, she informs Tom that she must make wedding plans rather quickly, and would he please, please, please be her Maid of Honor? In typical rom-com fashion, the tale quickly escalates into over-the-top, barely believable plot twists, forcing the viewer to turn a blind eye to any holes in the story and instead focus on the pretty clothes and Dempsey's dimples. It shifts into full-on fantasy mode, with rugged ...

While it might sound outlandish to speak of THE PINEAPPLE EXPRESS in the same sentence as CITIZEN KANE, in its own little neck of the cinematic woods the Judd Apatow/Seth Rogen comedy is perhaps just as groundbreaking. In fact, it's nearly impossible to think of another film that blends so seamlessly pitch-perfect stoner babble with high-octane action sequences. Dale Denton (Rogen), a process server with a weed fixation, witnesses a murder and turns to his dealer, Saul (James Franco), for support. The murderer is actually Saul's main drug supplier, and because of Saul's access to some extremely rare high-grade pot (called Pineapple Express) the two are quickly tracked down and put on the run. Like all Apatow/Rogen vehicles, the movie deals with the theme of men succumbing to adulthood and all the adjustments they are forced to make in the process. However, unlike KNOCKED UP and THE 40 YEAR OLD VIRGIN, PINEAPPLE EXPRESS is just too wacky to offer any lessons. Still, there's more going on here than giggles and the munchies. Indie director David Gordon Green (SNOW ANGELS) brings a subtle auteur's touch to the proceedings, approaching the smoking scenes with his distinctively loose feel and giving the action ...

Most romantic couples--onscreen or otherwise--would kill for the type of chemistry that Tina Fey and Amy Poehler share in the gyno-centric comedy BABY MAMA, even though the women are only playing friends. Fey stars as Kate, a 37-year-old vice president at an organic foods company whose womb starts a-kickin' every time she sees a baby. Though her career has kept her from marriage and children, she has decided that it's time for her to get pregnant. But multiple tries with in vitro fertilization leave her disappointed, and Kate turns to a surrogate mother. Enter Angie (Poehler), a high-school dropout desperate for the large check that comes with carrying someone's child. Though she agrees to be Kate's surrogate, it's clear that the women disagree on everything from music to the type of food Angie should be eating. When Angie leaves her apartment after a fight with her obnoxious common-law husband (Dax Shepard, EMPLOYEE OF THE MONTH), she moves into Kate's posh Philadelphia apartment, and the women spend the rest of BABY MAMA alternately battling and bonding.Steve Martin appears in a small but enjoyable role as Kate's oily boss, and Oscar nominee Greg Kinnear gets good mileage out of playing her love ...

In THE WEDDING PLANNER, Jennifer Lopez plays a peppy career woman who is great at what she does: she can turn any wedding into the perfect romantic event. But when she begins to fall for the groom (Matthew McConaughey) in one of the weddings she's planning, all of her foundations are shaken, and she realizes that maybe her own life lacks love. (1 hr. 42 min.)