ShockTillYouDrop.com has posted an exclusive interview with After.Life writer/director Agnieszka Wojtowicz-Vosloo. Opening in limited theaters today, the psychological thriller stars Christina Ricci, Liam Neeson, Justin Long, Josh Charles and Chandler Canterbury.

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Mel Gibson just started production on his new action thriller How I Spent My Summer Vacation in Veracruz, Mexico this week, but he’s already pledged to donate sets from the film an as-yet-unbuilt museum.

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Peter Sciretta of /Film may have found himself the next District 9 in the form of a film called Small from Carl Erik Rinsch, Ridley Scott’s protege (and son-in-law), a commercial director at RSA who at one point was rumored to helm the remake/prequel to Scott’s Alien for 20th Century Fox.

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Veteran Hong Kong filmmaker and fight choreographer Lau Kar-leung, best known for directing kung fu classics such as The 36th Chamber of Shaolin, will be celebrated for his contribution to cinema at the Hong Kong Film Awards this month.

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Telefilm Canada’s inaugural edition of the Connect With Canada speed-dating event in Cannes will hook up 40 Canadian TV producers with their counterparts in other countries to help land co-production and distribution deals.

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The creators of the beloved “Toy Story” films re—open the toy box and bring moviegoers back to the delightful world of Woody, Buzz and our favorite gang of toy characters in TOY STORY 3. Woody and Buzz had accepted that their owner Andy would grow up someday, but what happens when that day arrives? In the third installment, Andy is preparing to depart for college, leaving his loyal toys troubled about their uncertain future. Lee Unkrich (co—director of “Toy Story 2” and “Finding Nemo”) directs this highly anticipated film, and Michael Arndt, the Academy Award®—winning screenwriter of “Little Miss Sunshine,” brings his unique talents and comedic sensibilities to the proceedings.

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After a horrific car accident, Anna wakes up to find the local funeral director Eliot Deacon preparing her body for her funeral. Confused, terrified and feeling still very much alive, Anna doesn’t believe she’s dead, despite the funeral director’s reassurances that she is merely in transition to the afterlife. Eliot convinces her he has the ability to communicate with the dead and is the only one who can help her. Trapped inside the funeral home, with nobody to turn to except Eliot, Anna is forced to face her deepest fears and accept her own death. But Anna’s grief-stricken boyfriend Paul still can’t shake the nagging suspicion that Eliot isn’t what he appears to be. As the funeral nears, Paul gets closer to unlocking the disturbing truth, but it could be too late; Anna may have already begun to cross over the other side.

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